A scene from Act 2 of the Metropolitan Opera's Aida production The Met retains the pseudo-realistic sets and costumes from 1987. The show looks like an Italian opera representation of Egypt in the ...

Performances in N.Y.C. Advertisement Supported by But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire. By Zachary Woolfe “I’m not ...

That approach was also used for their Turandot two years ago, and now method and team are reunited as Sir Richard Armstrong conducts Aida with Annabel Arden as director and design by Joanna Parker.