Verdi’s “Luisa Miller” contains one of Italian opera’s greatest tenor arias, a heart-wrenching moment of loss and betrayal in the second act, when the hero is deceived into believing that his beloved ...

Some recitalists present themselves as glittering bodies to be admired by their legions of fans. Ian Bostridge presents himself as a historical explorer. In his fascinating and far-reaching concert ...

Their names are synonymous with opera, their voices instantly recognizable and their artistry among the treasures of our age. Placido Domingo and Luciano Pavarotti need no introduction, but two major ...

Just in time to round out the anniversary year of Verdi's death is "The Tenor Arias," Placido Domingo's survey of the composer's distinctively muscular, heroic treatment of the high male voice.

(Westminster WST-17148). Morell’s tenor is serviceable, if hardly rapturous. At least the repertory is largely unhackneyed, with arias from Verdi’s Macbeth, Simon Boccanegra, and Masked Ball.

The young Italian tenor Salvatore Licitra stepped in on short notice to replace Luciano Pavarotti in what was supposed to have been Pavarotti’s farewell to the Metropolitan Opera in “Tosca” last May.

If Lawrence Brownlee were easily discouraged, he might never have dreamed of an opera career. You could argue that he had three strikes against him: (1) He's African-American in a field where hardly ...

Symphony No. 1 Orfeo Baroque Orchestra Michi Gaigg, Conductor Wolfgang Amadeus Mozart, Composer Divertimenti for Strings, "Salzburg Symphonies", Movements: F, K138/K125c Orfeo Baroque Orchestra ...