In a year full of stories commenting on modern American culture, Josh Safdie’s Marty Supreme might be the most American film of the year. Marty Mauser (Timothee Chalamet) is a young, hungry and overly ...

It goes without saying that Tim Burton’s cleverly stylized 1988 film, Beetlejuice, has legions of fans. Based on the crowd in the Tennessee Theatre lobby Tuesday evening, the Broadway musical stage ...

Artist Yigal Ozeri stands with his oil painting Untitled; Sonia, donated by the Louis K. Meisel Gallery. Photo: Sophia Wright | Marketing Director, Lilienthal Gallery The Knoxville Museum of Art has ...

The Knoxville Symphony Orchestra and Music Director Aram Demirjian have announced the programs for the orchestra’s 2025 -26 season. With the announcement, 2025-26 series subscriptions are on sale now.

Editor’s Note: Diana Salesky was the alto soloist in the recent Knoxville Symphony Orchestra performance of Handel’s ‘Messiah’ at the Tennessee Theatre. There are moments during rehearsals and ...

For over 10 years, River & Rail Theatre has been a fixture in the Knoxville arts community, bringing together both local and national talent to tell stories about our city, its people, and its history ...

Knoxville has often had a tenuous relationship with its own atmospheric history, a history full of intersections between geography and notable persons that weave in and out of our cultural ...

When first announced by the University of Tennessee Opera Theatre, a production of Francis Poulenc’s Dialogues of the Carmelites at the Bijou Theatre seemed like a bold and challenging choice. As it ...

Yes, September is a Beethoven month for the Knoxville Symphony Orchestra. Following last week’s opening Masterworks concert that featured Beethoven’s phenomenal Fifth Symphony, KSO is opening its ...

good piece of theatre always keeps its audience guessing, a bit off balance as it were, exploring a narrative hallway of doors left there by the playwright. Becky Shaw, a 2008 comedy by Gina ...

Ah, 2025, what a mess! This was one of the more grim years in cinematic history as it looks like we’ve lost another legacy studio to either a streaming platform that may kill the theatrical business ...

Theatrical magic may be hard to define, but don’t tell that to last evening’s audience at Knoxville Opera’s production of Pauline Viardot’s Cendrillon, an adaptation of the Cinderella fairy tale.