And that is an apt comparison, as Robert Wilson, the director of Mary said… has collaborated with Glass, notably in Einstein on the Beach. In the write-up by the Adelaide Festival, Mary said… is ...

Prokofiev’s Music for Children is a cross between Schumann’s Kinderszenen and Mussorgsky’s song cycle In the Nursery. It is a ...

This show, one of three by Broken Box Mime being performed at the Fringe festival, was essentially physical story-telling.

Nonetheless, there has been a series of three piano recitals there, by the Finnish pianist Olli Mustonen, and I attended the ...

W it and beauty, pride and sorrow, self disgust and merriment, all the ingredients of Fingerless Theatre’s production of William Shakespeare’s As You Like It, served in a gay ...

Had this been the only piece to precede the Mahler, the connection between this acknowledgement of country and Mahler’s ...

The resulting show, Perle Noire, however, focusses less on Baker’s quite stupendous achievements, and more on her sense of being humiliated as a black girl during her childhood in America, which ...

It strikes at the heart of steve j. spears’ The Elocution of Benjamin Franklin. Despite decriminalisation and an apparent advancement in social tolerance, the topical and emotional impact of The ...

An evening with Queensland Symphony Orchestra never disappoints but when it is a journey of the most famous music of legendary John Williams you know tonight will be no exception.

Venue: Festival Theatre | Adelaide Festival Centre SA Dates: 21 February – 1 March 2026 Bookings: www.adelaidefestival.com.au ...

Gillian Welch and David Rawlings filled the theatre with the kind of quiet focus that’s becoming rare on big stages. No band. No spectacle. Two performers, a small collection of instruments, and a ...

The whole work is a testament to Shostakovich’s constant battle with the thought police of the Soviet regime which dogged him throughout his life.