This is a Handel year, the 250th anniversary of the composer's death. We remember George Frideric Handel primarily for his oratorio, "Messiah," one of the greatest masterpieces in the classical canon.

Imeneo, Movements: Se potessero i sospir' miei Philippe Jaroussky, Director, Countertenor George Frideric Handel, Composer Ensemble Artaserse Riccardo Primo, Re di Inghilterra, Movements: Agitato da ...

Nights (and Afternoons) at the Opera / This is the fifth entry in a series examining the works that the Metropolitan Opera will present through April during its "The Met: Live in HD" series in local ...

A recital by The King’s Consort at the Wigmore Hall of Handel’s little-known Nine German Arias, performed with three of the composer’s oboe works, was a pleasant rather than revelatory evening. The ...

(SOUNDBITE OF HANDEL'S "LA RESURREZIONE (1708), HWV 47 / PARTE PRIMA: 'DISSERRATEVI, O PORTE D'AVERNO'") GROSS: Sometimes we can overlook something that's right under our noses. Classical music critic ...

In 1731 Handel wrote part of Act I for an opera entitled Titus L’Empereur. For reasons that are still unknown, he then abandoned it, although he reworked its Overture and two arias for his next opera ...

A beautiful young woman, bored and ambitious; a powerful, prestigious man, notoriously philandering; his jealous wife, devious and controlling — a trio worthy of jumpstarting a soap opera, a film or, ...

As timeless as Shakespeare plays, Handel operas shine through the centuries, whether the cast is clad in period costumes or trendy black leather – whether the set is Hampton Court or Club Med.

Music from another century, songs written in a foreign language and runtimes that can reach over three hours may make some operas seem unapproachable to people who are not used to the genre. But come ...