At the end of the act, the audience let out an animal roar. You sometimes hear that in an opera house. And when you do, it’s thrilling. When Nézet-Séguin returned for Act II, he received a rapturous ...

Jay Nordlinger on a concert of the New York Philharmonic, conducted by Mirga Gražinytė-Tyla, with Vilde Frang, violin soloist ...

Robert Steven Mack on a performance of a selection of Balanchine’s work by San Francisco Ballet.

Prince and Patron,” at the Château of Maisons, in Maisons-Laffitte, France.

Anatoly Grablevsky on a new Rembrandt, Van Dyck & Cicero.

From the emergence of the short-lived Hungarian Soviet Republic in 1919 to the 1956 Hungarian Revolution to the controversial current government, Hungary has, for more than a century, played an ...

On “The Day is Gone: 100 Years of New Objectivity,” at the Tel Aviv Museum of Art.

On a performance of La traviata, at the Royal Opera House.

On Roman theater, George Orwell, Esther before Ahasuerus, the borough of Queens & more from the world of culture.

Editors’ note: To buy this and other classic New Criterion essays in stand-alone print format, see the reprint series in our bookstore. Since it is difficult, or rather impossible, to represent a ...

Purchase this and other timeless New Criterion essays in our hard-copy reprint series. Despite all that, Zamyatin was lucky. Other writers who (to quote from the same letter) earned a “criminal name” ...