At the end of the act, the audience let out an animal roar. You sometimes hear that in an opera house. And when you do, it’s thrilling. When Nézet-Séguin returned for Act II, he received a rapturous ...
Jay Nordlinger on a concert of the New York Philharmonic, conducted by Mirga Gražinytė-Tyla, with Vilde Frang, violin soloist ...
Robert Steven Mack on a performance of a selection of Balanchine’s work by San Francisco Ballet.
Prince and Patron,” at the Château of Maisons, in Maisons-Laffitte, France.
Anatoly Grablevsky on a new Rembrandt, Van Dyck & Cicero.
On “The Day is Gone: 100 Years of New Objectivity,” at the Tel Aviv Museum of Art.
Isaac Sligh & James Panero discuss the Republic of Georgia, Crusaders, travel writing, audiophiles & more.
On a performance of La traviata, at the Royal Opera House.
On Roman theater, George Orwell, Esther before Ahasuerus, the borough of Queens & more from the world of culture.
On a concert of the New York Philharmonic.
Editors’ note: To buy this and other classic New Criterion essays in stand-alone print format, see the reprint series in our bookstore. Since it is difficult, or rather impossible, to represent a ...
On September 30, a federal district court judge in Boston upheld Harvard’s use of racial preferences in undergraduate admissions against the challenge that they discriminate against Asian-Americans.
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