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ᴊᴏʀᴅᴀɴ ꜱᴄʜʀᴇɪɴᴇʀ, ᴛᴇɴᴏʀ on Instagram: "Opera Singers & “Heavy” High Notes A common problem I hear in the voice studio is singers complaining about “heavy” high notes and their former teachers just telling them to “lighten it up” 🙄 “High, light, bright” is going to encourage your singers to pull off the voice, Jack up the larynx or mess with the air. Approaching the top with thoughts of staccato or trills can help the singer feel flexibility, which can encourage them to drop some vocal weight wi

ᴊᴏʀᴅᴀɴ ꜱᴄʜʀᴇɪɴᴇʀ, ᴛᴇɴᴏʀ on Instagram: "Opera Singers… high notes with closed vowels. A concept I love to teach to singers is the idea of an auxiliary vowel. The first time I heard it was from a friend @drwillyb and I’m pretty sure he heard it from Judith Nicosia. (Correct me if I’m wrong) I liked the idea because it explained what I was feeling when I would use a mixed vowel. In my earlier studies, the mixed vowel was the only way to move through the passaggio without me sounded like I was going