Composer, Sound designer, and mixing engineers all have vastly important roles. What is done in mixing can change moments so drastically. What are your thoughts on whether a composer should be actively communicating with the sound designer on the film? And for those that want to watch these long form videos with composer interviews, score studies, etc, check out our memberships on the Scoring Arts site. Today and tomorrow, you can get 30% off your yearly Scoring Arts membership by using the code